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Pro Tools 12.4.3 | FREE For PC | 27.9 GB Is the updated version of Avid’s $1300-or-so Pro Tools 12.4.2, which was recently updated to 12.4.3, and is free for Windows XP and later. It’s a fairly substantial update — with a lot of new features — and a complete rewrite in Apple-style SwiftUI. It will also allow the 32-bit and 64-bit versions of Pro Tools to be used simultaneously, after which point the 32-bit versions will be deprecated. Interestingly, the download size is nearly 8GB, so install won’t be speedy, but the upgrades are mostly the features, not the big new stable, let alone the app.
Pro Tools for Mac addresses the needs of the increasing number of hobbyists and professionals who are using the Mac platform in their musical endeavors. With the release of Pro Tools for Mac, Avid is embracing a vision of collaborative workflows with design-oriented creative tools for sound and music production. The creative workflow in Pro Tools is all about collaboration and feedback in real time. The key to the framework of Pro Tools is our use of audio, MIDI, and automation to help producers achieve a new level of creative satisfaction.
The upgrade is a major revision from Pro Tools HD, which had become the mainstay platform for artists and small businesses involved in audio production. Pro Tools HD was a bit like Pro Tools (the series, not the application), in that it was a relatively expensive, full-feature application, yet much of its power resided within a box or in a DAWS plugin, rather than the main editing application. The updates to the core platform, as well as the openness of the application, has turned it into a viable tool for all creative environments. Since Pro Tools HD, Avid has published more than 800 of its engineers to form development teams in India and China, and another 900 engineers working on its new “ultimate performance” platform. As such, Pro Tools is now a truly global platform, with about 2,000 total employees worldwide.
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The CMI eCelestion hybrid five-channel mixer ($799), combined with an external mixer, is a huge step up in terms of performance over the old MixPre2. The eCelestion and mixer plug-in are powered by a single 12-volt car battery, and there’s no separate power supply or power supply adapter. Some audiophiles will be turned off by the lack of analog power ins and outs, but it’s a reasonable alternative for those who mix at larger venues, on the road, or at larger clubs. The eCelestion itself includes two separate mic channels, two balanced outputs, and a stereo monitor output, plus stereo XLR/TRS line inputs and outputs. It lacks Pro Tools’ large and plentiful headphone output, and the input section has more mix control knobs than the old MixPre2. The eCelestion plug-in offers easy control over two or three channels (only stereo mode), but you can’t control pan, volume, or compression with it.
One of Pro Tools’ most powerful features is its ability to seamlessly output to multiple devices. Just a click and a few seconds later, I’m ripping to CD or converting to AIFF in a well-integrated interface like iDVD, or exporting a mix to a FLAC or WAV file, or tagging a clip in a newer version of Avid Media Composer. I can even transfer it to an iOS device using the app’s AV/AIFF export. (Remember, for iOS devices, you need to buy the Avid Media Composer app for iOS; otherwise, you’re kind of out of luck).
Each hardware and software release brings new features, better performance, and tighter integration. Avid’s latest software is the industry-leading Media Composer. With it, you can quickly render a mixdown to a 16-bit, 48kHz/44.1kHz AIFF or FLAC file as well as video from any video-editing program, including Final Cut Pro, Adobe Premiere, and Avid Media Composer (and so forth). The new features include a new color-mapping option, a change in the way text is rendered, new VR viewport faders, and a new hardware selector for audio.
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What’s new in Avid Pro Tools?
Get access to all your Avid video content with a new Family Sharing Portal to use when working with your Pro Tools and Studio HDX Systems. Create a new project library, organise it the way you want, and share it with your family for easy access. Now you can get at what you need even when youre not at your computer.
Perform more on every track with our new multi-kilohertz sample-accurate tools. The newest audio features now deliver incredible studio-quality sound, no matter how loud your mixes. The new StudioTools Mix View shows these tools when you need them, while saving space in your Timeline. And the new, intuitive Smart Playback and Easy Play buttons let you perform your mixes with few clicks. Simply turn on your system and get to work.
No more surprises. Avid Motion 5 makes it easier to prepare, edit and burn media than ever before. Easily scale, trim and merge, process and de-noise audio, move audio easily between projects, and significantly improve the overall media workflow.
Make it even easier to edit on the go. Upload any time, any place. With Avid Media Composer Pro Tools, you can work on mobile devices, USB sticks or systems without a hard connection. No need to worry about data charges or the hassle of transferring files. One click automatically syncs all the media in your project with an external drive or server. And when youre done, you can easily send your completed project to social sites or disk, and keep working. You could even have control of your entire project right from a smart phone.
Our longstanding, trusted VCE plug-in has evolved into a complete video post production toolset. The new Media Browser is fast, intuitive, and has evolved into the new media management tool you always wanted. Add and organize all your media files to access them from any project. Review shots, edit them, or drag them into a project. And get easier access to a larger collection of Avid Media Composer plug-ins with new collections. Whether you want to edit audio or video, get creative with the effects available in Avid Media Composer or learn how to use Avid Media Encoder to easily encode video for the Web or a DVD.
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Avid Pro Tools Features
- Selection of the default record behavior for audio and MIDI tracks
- Selection of the default record behavior for instrument tracks
- Selection of the default record behavior for record-arm/record-disarm
- Selection of the default record behavior for all other tracks
- Prevents unwanted behaviors
- Displays the above behavior selection at the top of the Preferences window
- Closes to automatically after selecting a track behavior
What’s new in Avid Pro Tools
- Dolby Atmos – Pairing with your Dolby Atmos receiver is just the beginning. Now Pro Tools supports this new format at the export level, allowing you to go beyond basic Dolby Atmos playback to the most advanced Dolby Atmos features: support for 360-degree sound, dynamic sound assignment, and precise control of what is rendered for each listener. In the coming weeks, Pro Tools will release a Dolby Atmos editor so that you can cut, splice, mix, and create Dolby Atmos compositions without ever having to leave Pro Tools. Visit https://www.dolby.com/en-us/audiobus/ to learn more.
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